There are lots of different techniques to hand-dyeing; we dipped, painted, splashed, speckled, and smooshed the dye - both in powder and liquid form - onto our wool. Below is a mini-skein of Wensleydale that I dyed. Once you are happy with the result, you wrap it up in clingfilm like a sausage and put it in the microwave to set.
And this was the finished result. The setting softens the colours and brings out more depth. I was very happy with my efforts.
We dyed a mini-skein of Jacob - the natural brown of the wool goes really well with the greens.
And this was a mini-skein of superwash Bluefaced Leicester. I'll admit to going a little bonkers with all the colours, but it'll make a nice contrast toe or cuff on a pair of socks.
I wasn't at all happy with my initial attempts on this mix of Bluefaced Leicester and Masham - I was going for teals and mustards and it ended up becoming a really insipid limey-yellow. So I overdyed the lot with a mossy green and it turned out fabulous!
Practice skeins completed, we were then let loose on some full 100g skeins of 4ply. I had ordered a few extra skeins of the BFL/Masham blend (my favourite) in advance to get a garment quantity. I really wanted to try speckling and though it looked okay initially . . .
. . . a little of the powder goes a long way. It got too squished in the rolling stage and when it was set, it came out more variegated than speckled. I still like the colours though and I think these are destined for a striped garment of some sort. I have several undyed skeins of BFL/Masham in my stash.
Jacob:
Wensleydale:
BFL superwash:
BFL/Masham:
But my absolute favourites were these gorgeous skeins dyed by Jane. They look so professional and she nailed the soft autumnal colours that she was going for. I can't wait to see these knitted up.
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