I have really challenged myself with this pattern, beautifully designed by Tori Seierstad, both in trying to use up my stash and in making a few alterations. I didn't plan all the colours in advance -a few of them were dictated by what I had on hand, but I think they've worked out. Now that the body is finished, it looks completely different to what I had initially envisioned in my head, but that's not a bad thing. I always knew I wanted to use the Daughter of a Shepherd hebridean 4ply as the main background colour with bits of Jamieson & Smith 2ply jumper weight for the contrast colours. I have a cone of FC65 which is the dark turquoise, and I initially thought it would be the main contrast colour. But as I worked through each band of motifs, I was using lighter shades of turquoise, on the outsides, building up to the dark in the middle. Now I see that it probably should have been the other way around as there are far more rows of the lighter shades.
I'm not unhappy with the results - just bemused that I got it so wrong, but when you are in the midst of knitting it, sometimes it's hard to see the big picture. I do admire knitters who will swatch with all their colours, or at least use pencil crayons and graph paper to work out all the shading and gradients. I am not one of those knitters, as I'm usually too impatient to get going but I've definitely learned a lot from this project.
My other big alteration was to the neckline, which in the pattern is more of a boatneck, but which I've converted to a smaller scoop neck. Since this is knit top-down, I used the beginnings of the First Fair Isle jumper that I knit earlier this year and then fudged a bit of the stitch count to get to the same number as the Lerwick pattern when it came to starting the colourwork.
I also omitted the waist shaping so again, had to play with some of the motif numbers with varying success; the sides of this sweater aren't really consistent, but I keep my arms down most of the time, so hopefully it won't be too noticeable. The dark hebridean yarn is a wee bit thinner than the J & S so I may rip out the hem and redo it in a 1x1 rib with smaller needles. It's flaring out a bit with the 2x3 rib and I'm not sure blocking would solve it.
Spending several hours doing this type of colourwork is hard on the hands so I've put Lerwick aside for a few days before tackling the sleeves (never my favourite bit - it's far too tempting to turn this into a short-sleeved top, but I've come this far, so full sleeves it will be). For a complete contrast, I picked up and finished my Vatsland Jumper, designed by Ella Gordon. This was a joy to knit, even the sleeves. I would definitely recommend this pattern for anyone who is new to knitting jumpers. I added one of the contrast colours to the sleeve cuffs and did an extra row of decreases around the neckline, as well as adding another inch or two to the body. I think it stretched out a little in the blocking stage, but that can be fixed. At the moment it's too hot to wear, but this will be the perfect everyday, go-to sweater for the autumn and winter. It is so cozy and the Brooklyn Tweed Shelter blooms wonderfully after a soak, which really smooths out any tension inconsistencies in the stockinette.
Plain and fancy. Intricate and basic. Fingering versus Worsted. Colourful and muted. We need all of these in our wardrobes and I love being able to create such different looks and types of garments, all through this magical power of knitting. And another WIP off the needles!
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