Novello was also a screen idol, and another of my weekend purchases was The Ultimate Hitchcock Collection - a 6 DVD set of twenty of Hitchcock's earlier works, including many of his silent movies. One of these is 1926's The Lodger - starring Ivor Novello -which I'm really looking forward to viewing as I've never seen any of his films (Novello that is, not Hitchcock). The set also includes the 1928 film of Noel Coward's Easy Virtue which will be fun to compare with the recent version I saw at the Toronto Film Festival. This was a fairly cheap set given how many movies are on it, and so I wasn't surprised to see that the prints are quite grainy and scratchy - Criterions these are not - though they are still easily watchable. And it's filled with tons of interesting stuff I've never seen and which doesn't appear to be available in better quality DVDs. There's a 1930 version of Sean O'Casey's Juno and the Paycock (he's one of my favourite Irish playwrights). And 1939's Jamaica Inn, based on Daphne du Maurier's novel is also included. Then there's Secret Agent (1936) based loosely on W. Somerset Maugham's spy novel Ashenden, starring John Gielgud and Peter Lorre. Not to be confused with Joseph Conrad's Secret Agent which is also included under its 1936 film title Sabotage. What a bargain at $25.00 - enough goodies to keep me occupied for weeks.
"Oh damn," said Julia Hedge, "why didn't they leave room for an Eliot or a Bronte?"
Sunday, 2 November 2008
A Glamourous Night with Novello. . .
I'm feeling rather wistful this morning. Last night I attended a concert by the Toronto Operetta Society - an evening devoted to the songs of Ivor Novello, many of which I had never heard before. I absolutely adore the music from this period, and Novello's tunes (like Noel Coward's) are so beautiful and romantic and catchy too. Some of the selections such as "And Her Mother Came Too" or "I Can Give You the Starlight", I was familiar with from the soundtrack of the movie Gosford Park where the fetching Jeremy Northam plays Novello and does wonderful renditions of his songs. And on the whole, I think much of Novello's work sounds better sung by men rather than soprano women - the male vocal range seems to suit the style, and the articulation of the lyrics is often improved at a lower octave (although one of the best male singers from last night embarrassingly forgot the words to not one, but two songs and actually had to start one number over again from the beginning. He recovered well but one was worried about him every time he appeared on stage - I think he did a cramming session over the intermission; no flubs in the second act) Still, many of the selections were taken from Novello musicals (Glamourous Night, Perchance to Dream, The Dancing Years) and written specifically for a female soprano and certainly "A Violin Began to Play" or "Love is My Reason" works in that regard. And it doesn't matter who is singing "Keep the Home Fires Burning" or "We'll Gather Lilacs" - hearing those two songs always chokes me up. There were CDs available for sale in the lobby and I bought this compilation sung by soprano Marilyn Hill Smith. It's very enjoyable to listen to, but I'll also be searching out collections recorded in Novello's lifetime.
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2 comments:
What an enviable selection of watching there! I'm just reading a bio of Fred Astaire and I feel a filmathon of my own coming on.
Oh, I love Fred Astaire too. My total comfort DVD viewing are Astaire/Rogers movies especially Shall We Dance? and Top Hat. But I also love Funny Face with Audrey Hepburn - the ultimate bookseller's fantasy movie! Sigh. They really just don't make 'em like they used to.
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